Monday, August 1, 2011

Mad as a hatter and more

The Cape Cod Mystery, Phoebe Atwood Taylor, 1931
pg 99

"Mad as a hatter. What do we do now?"
"Mad as a hatter" is a colloquial phrase, used as early as 1829, used in conversation to refer to a crazy person. In 18th and 19th century England mercury was used in the production of felt, which was used in the manufacturing of hats common of the time. People who worked in these hat factories were exposed daily to trace amounts of the metal, which accumulated within their bodies over time, causing some workers to develop dementia caused by mercury poisoning. Thus the phrase "Mad as a Hatter" became popular as a way to refer to someone who was perceived as insane.


"If Kurth should turn up, tell him some cock-and-bull story."
the phrase comes from old folk tales that featured magical animals. The early 17th century French term 'coq-a-l'âne' was glossed in Randle Cotgrave's A Dictionarie of the French and English Tongues, 1611 as meaning:

An incoherent story, passing from one subject to another.

The literal translation of 'du coq à l'âne' is 'from rooster to jackass', which nicely fits the meaning of the term. This was later taken up in Scots as "cockalayne", again with the same meaning. The first citation of 'cock and bull' stories in English is from Robert Burton's The Anatomy of Melancholy, 1621:

"Some mens whole delight is to talk of a Cock and Bull over a pot."

This reference to 'a cock' and 'a bull', which is duplicated in all the early 17th and 18th century citations of the phrase, lends support to the view that the stories were about cocks and bulls, i.e. fanciful tales.

"I repeated Mr. Milton's poem about those also serving who only stood and waited."
John Milton (9 December 1608 – 8 November 1674) was an English poet, polemicist, and civil servant for the Commonwealth of England. He is best known for his epic poem Paradise Lost.

He was a scholarly man of letters, a polemical writer, and an official serving under Oliver Cromwell. He wrote at a time of religious flux and political upheaval in England, and his poetry and prose reflect deep convictions and deal with contemporary issues, such as his treatise condemning licensing, Areopagitica. As well as English, he wrote in Latin and Italian, and had an international reputation during his lifetime. After his death, Milton's critical reception oscillated, a state of affairs that continued through the centuries.

At an early stage he became the subject of partisan biographies, such as that of John Toland from the nonconformist perspective, and a hostile account by Anthony à Wood. Samuel Johnson wrote unfavourably of his politics as those of "an acrimonious and surly republican"; but praised Paradise Lost "a poem which, considered with respect to design may claim the first place, and with respect to performance, the second, among the productions of the human mind".

William Hayley's 1796 biography called him the "greatest English author". He remains generally regarded "as one of the preeminent writers in the English language and as a thinker of world importance.

On His Blindness
When I consider how my light is spent
Ere half my days in this dark world and wide,
And that one Talent which is death to hide
Lodged with me useless, though my soul more bent
To serve therewith my Maker, and present
My true account, lest He returning chide,
"Doth God exact day-labour, light denied?"
I fondly ask. But Patience, to prevent
That murmur, soon replies, "God doth not need
Either man's work or his own gifts. Who best
Bear his mild yoke, they serve him best. His state
Is kingly: thousands at his bidding speed,
And post o'er land and ocean without rest;
They also serve who only stand and wait."

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